Stanley Kubrick — "The most important thing for an artist is to be true to himself, and not to comp…"
The most important thing for an artist is to be true to himself, and not to compromise his vision for anyone else.
The most important thing for an artist is to be true to himself, and not to compromise his vision for anyone else.
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"I think that the human race is capable of great things, but it's also capable of great evil."
"To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting."
"The most important thing in life is to learn how to give out love, and to let it come in."
"I think that the big mistake people make about movies is that they don't understand that films are essentially a dream process. You're not supposed to be able to explain what's going on in a dream. If…"
"I like to think of myself as a storyteller. That's what I am, essentially."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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