Edvard Munch — "The sea – it is as incomprehensible as existence – it is incomprehensible as dea…"
The sea – it is as incomprehensible as existence – it is incomprehensible as death – as eternal as longing.
The sea – it is as incomprehensible as existence – it is incomprehensible as death – as eternal as longing.
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"No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love."
"My will exceeds my talents."
"And I live with the dead – my mother, my sister [Sophie], my grandfather, my father [who died in 1889, when Munch was in France].. . Every day is the same – my friends have stopped coming – their laug…"
"My afflictions belong to me and my art - they have become one with me. Without illness and anxiety, I would have been a rudderless ship."
"The true purpose of art is to make us feel alive."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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