Arthur Schopenhauer — "The world is a stage on which a tragedy is performed, and the actors are all mad…"
The world is a stage on which a tragedy is performed, and the actors are all madmen.
The world is a stage on which a tragedy is performed, and the actors are all madmen.
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"The only thing that makes life bearable is art."
"The will is the strong blind man who carries on his shoulders the lame man who can see."
"Such a view is the apotheosis of Philistinism."
"It is a clear gain to sacrifice pleasure in order to avoid pain."
"Man reaches the maturity of his reasoning and mental faculties scarcely before he is eight-and-twenty; woman when she is eighteen; but hers is reason of very narrow limitations."
German philosopher of pessimism whose The World as Will and Representation (1819) defined the suffering-and-renunciation tradition. Closely associated with Immanuel Kant (the system Schopenhauer built on and revised). For an intellectual contrast, see G.W.F. Hegel, German Idealist of the rational unfolding of Spirit — Schopenhauer scheduled his Berlin lectures opposite Hegel's and spent decades attacking Hegel's optimistic system as deliberately mystifying nonsense — the foundational rivalry of 19th-century German philosophy.
The standard scholarly entry points to Arthur Schopenhauer's work: Bryan Magee (Oxford, populariser-philosopher) — The Philosophy of Schopenhauer (1983); Christopher Janaway (Southampton, Schopenhauer specialist) — Self and World in Schopenhauer's Philosophy (1989); David E. Cartwright (Wisconsin–Whitewater) — Schopenhauer: A Biography (2010). These are the works graduate seminars cite when teaching Arthur Schopenhauer.
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