Marlon Brando — "Tim is the greatest actor ever. He pretends he loves me when he wants something …"
Tim is the greatest actor ever. He pretends he loves me when he wants something to eat.
Tim is the greatest actor ever. He pretends he loves me when he wants something to eat.
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"I'm not a very social person. I don't like crowds."
"I don't like to be told what to do."
"I don't like to be pushed around by anybody—including the government."
"I think that I'm a good actor, but I'm not a great actor."
"I'm not a very nice person. I'm not a very good person."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Response to a reporter asking if he realized he was the greatest actor ever, referring to his dog Tim.
Date: Unknown
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