Marlon Brando — "I'm not a very social person. I'm a very private person."
I'm not a very social person. I'm a very private person.
I'm not a very social person. I'm a very private person.
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"I never had a good time in my life. I always had a good time in my head."
"I'm not a very good actor. I'm a very bad actor."
"I don't like to be analyzed. I think it's intrusive."
"I don't think I'm a great actor. I think I'm a competent actor."
"If there’s anything unsettling to the stomach, it’s watching actors on television talk about their personal lives."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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