Marlon Brando — "We are not actors, we are just people who are paid to be actors."
We are not actors, we are just people who are paid to be actors.
We are not actors, we are just people who are paid to be actors.
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"I don't think I'm a very good actor. I'm not that talented. I'm just lucky."
"I don't like to be analyzed. I think it's intrusive."
"I don't think I'm a hero. I think I'm a survivor."
"I'm just a simple man trying to make his way in the universe."
"I always felt that the only way to make a movie truly great was to make it a little bit strange."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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