Marlon Brando — "We are not actors, we are just people who are paid to be actors."
We are not actors, we are just people who are paid to be actors.
We are not actors, we are just people who are paid to be actors.
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"I don't think there's any such thing as a good guy or a bad guy. There are just people."
"I don't like to talk about my personal life."
"I'm not a very social person. I'm a very private person."
"I've always been accused of being a rebel. But I'm not. I'm just an individual."
"If you're going to be a movie star, you'd better be a good one."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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