Marlon Brando — "We don't go anywhere. Going somewhere is for squares. We just go!"
We don't go anywhere. Going somewhere is for squares. We just go!
We don't go anywhere. Going somewhere is for squares. We just go!
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"The only thing an actor owes his public is not to bore them."
"I'm tired of the whole thing. I'm tired of Hollywood. I'm tired of the movies. I'm tired of my life."
"I think that the most important thing in life is to be true to yourself."
"I don't like to be constrained. I think it's stifling."
"When you lie to yourself about yourself, you’re in bad company."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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