Edvard Munch — "When the sun goes down, it is as if the whole world is a giant mouth screaming."
When the sun goes down, it is as if the whole world is a giant mouth screaming.
When the sun goes down, it is as if the whole world is a giant mouth screaming.
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"To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does …"
"The colors scream."
"My art is a form of self-portraiture."
"I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on eart…"
"My art is rooted in a single reflection: why am I not as others are? Why was there a curse on my cradle? Why did I come into the world without a choice?"
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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