Edvard Munch — "I paint the states of the soul."
I paint the states of the soul.
I paint the states of the soul.
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"My art is a diary of my life."
"The air was like a shriek."
"—I have kissed a corpse such was that kiss—"
"The greatest art is that which expresses the deepest human emotions."
"The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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