Marlon Brando — "You don't just give up. You don't just let things happen. You fight for what you…"
You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends.
You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends.
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"I think that the most important thing in life is to be true to yourself."
"I can still taste that first beer I bought with my own paycheck."
"Acting is an empty and useless profession."
"I don't think acting is that important. It's just a way of making a living."
"I put on an act sometimes, and people think I'm insensitive. Really, it's like a kind of armor because I'm too sensitive. If there are two hundred people in a room and one of them doesn't like me, I'v…"
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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