Portrait of Caravaggio

Caravaggio

Baroque painter

Early Modern influential 38 sayings

Sayings by Caravaggio

The greatest joy for me is to work. I have no other pleasure.

c. 1619-1621 (Mancini's writing, referring to Caravaggio's life) — Reported by Giulio Mancini in 'Considerazioni sulla pittura'
Wisdom Unverifiable

I will paint the face of a beggar as well as that of an emperor.

Uncertain, early 17th century — Attributed, reflecting his artistic philosophy
Art & Creativity Unverifiable

All work is good work if it is well done.

Uncertain, early 17th century — Attributed, reflecting his artistic philosophy
Wisdom Unverifiable

I have never chosen a subject from the antique, but always from nature.

c. 1600-1606 (Baglione's writing about Caravaggio's practice) — Reported by Giovanni Baglione in 'Le Vite de' Pittori, Scultori et Architetti'
Nature & World Unverifiable

I know nothing about painting, but I know how to paint.

Uncertain, early 17th century — Attributed, reflecting his pragmatic approach
Art & Creativity Unverifiable

I see a broom and a bottle, and I paint them.

Uncertain, early 17th century — Attributed, emphasizing his focus on realism
Art & Creativity Unverifiable

I have no master but nature.

Uncertain, early 17th century — Attributed, reflecting his independent spirit
Nature & World Unverifiable

He said that he did not believe in ancient masters, nor in any other master, but only in nature.

c. 1672 (Bellori's writing about Caravaggio's statements) — Reported by Giovanni Pietro Bellori in 'Le Vite de' Pittori, Scultori et Architetti Moderni'
Inspirational Unverifiable

I am a painter by nature, not by art.

Uncertain, early 17th century — Attributed, emphasizing his innate talent
Art & Creativity Unverifiable

I do not wish to be judged by what others have done, but by what I myself do.

Uncertain, early 17th century — Attributed, reflecting his originality
Justice & Rights Unverifiable

One must paint what one sees, not what one imagines.

Uncertain, early 17th century — Attributed, emphasizing his commitment to realism
Art & Creativity Unverifiable

I have no fear of death, for I have lived.

Uncertain, early 17th century — Attributed, perhaps apocryphal, reflecting a dramatic personality
Life & Death Unverifiable

He would not make so much as a single brushstroke without having the model before him.

c. 1672 (Bellori's writing about Caravaggio's practice) — Reported by Giovanni Pietro Bellori in 'Le Vite de' Pittori, Scultori et Architetti Moderni'
Wisdom Unverifiable

He used to say that painting from life was the true and best way of painting.

c. 1619-1621 (Mancini's writing, referring to Caravaggio's practice) — Reported by Giulio Mancini in 'Considerazioni sulla pittura'
Art & Creativity Unverifiable

I am a man of the world, and I paint what I see in the world.

Uncertain, early 17th century — Attributed, reflecting his engagement with everyday life
Art & Creativity Unverifiable

I do not care for beauty, but for truth.

Uncertain, early 17th century — Attributed, emphasizing his focus on realism over idealized forms
Art & Creativity Unverifiable

He was always ready to pick a quarrel or engage in a fight.

c. 1619-1621 — Reported by Giulio Mancini in 'Considerazioni sulla pittura' (describing Caravaggio's character)
War & Conflict Unverifiable

He was a very contentious man, and always had a sword at his side.

c. 1642 — Reported by Giovanni Baglione in 'Le Vite de' Pittori, Scultori et Architetti' (describing Caravaggi…
War & Conflict Unverifiable

He would not let a day pass without sketching some figure from life.

c. 1672 — Reported by Giovanni Pietro Bellori in 'Le Vite de' Pittori, Scultori et Architetti Moderni' (descri…
Wisdom Unverifiable

I have no respect for those who paint without having seen.

Uncertain, early 17th century — Attributed, emphasizing the importance of direct observation
Art & Creativity Unverifiable
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