Catherine Guinness [...] didn't get heavy until the last day, when she started with that annoying thing the English do of asking and asking: 'What exactly is Pop Art?' It was like when we interviewed that blues kid, Albert King, for Interview, and she asked him: 'What exactly is soul?'
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"I don't think I'm very interesting."
"Some people can have sex and really let their minds go blank and fill up with the sex; other people can never let their minds go blank and fill up with the sex, so while they're having the sex they're…"
"I’ve learned that you can get away with a lot if you’re not a total jerk."
"I just do art because I'm ugly and there's nothing else for me to do."
"I think someone should be able to do all my paintings for me."
American Pop Art icon whose Factory industrialized image-making and erased the line between commerce and fine art. Closely associated with Roy Lichtenstein (Pop comic-strip painter) and Robert Rauschenberg (combine-painter precursor). For an intellectual contrast, see Mark Rothko, Abstract Expressionist of the deeply personal color field — Rothko stood for emotional depth and singular authorship — exactly what Warhol's silkscreen production line industrially refused.
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