Stanley Kubrick — "The truth is often a terrible weapon."
The truth is often a terrible weapon.
The truth is often a terrible weapon.
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"I'm not interested in making films that are easy to categorize. I want to make films that defy categorization."
"The journey of a thousand miles begins with a single step."
"I don't believe in happy endings. I believe in realistic endings, and sometimes realism is not happy."
"The unexamined life is not worth living."
"The greatest thing you'll ever learn is just to love and be loved in return."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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