Stanley Kubrick — "The truth is often a terrible weapon."
The truth is often a terrible weapon.
The truth is often a terrible weapon.
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"Any time you take a risk, you risk failure. But if you don't take risks, you don't get anywhere."
"The most terrifying thing is to accept that there is no meaning to life, and then to go on and create your own meaning."
"I like to work with actors who are a little bit crazy."
"If it can be written, or thought, it can be filmed."
"What is it that makes a film good? It's the ability to surprise you, to make you think, to make you feel something you haven't felt before."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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