Quentin Tarantino — "I steal from every single movie ever made."
I steal from every single movie ever made.
I steal from every single movie ever made.
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"I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."
"I don't think about the audience when I'm making a movie. I just think about the story."
"I don't believe in God. I believe in a lot of things, but God's not one of them."
"I like the way blood looks in black and white. It's like a Rorschach test."
"I don't think about the legacy of my films. I just think about making the next one."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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