Quentin Tarantino — "I don't make political films. I make films that have politics in them."
I don't make political films. I make films that have politics in them.
I don't make political films. I make films that have politics in them.
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"I don't care about being popular. I care about making movies that I'm proud of."
"Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with."
"I don't like to be serious all the time. I like to have fun."
"I don't think I'm a misogynist. I just think I like certain movies."
"Life is a bleeding, screaming, violently jerking pig in your arms. And death is you holding a bunch of heavy unmoving meat."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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