Yayoi Kusama — "I want to be remembered as an artist who fought for freedom and love."
I want to be remembered as an artist who fought for freedom and love.
I want to be remembered as an artist who fought for freedom and love.
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"I still want to marry all the pumpkins in the world."
"I have been obsessed with dots since I was a child. I see them everywhere, even when I close my eyes."
"I am a self-taught artist. I never went to art school."
"I came to America alone, without any money."
"I am a song."
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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