Linus Pauling — "Like thousands of other boys, I had a little chemical laboratory in our cellar a…"
Like thousands of other boys, I had a little chemical laboratory in our cellar and think that some of our friends thought me a bit crazy.
Like thousands of other boys, I had a little chemical laboratory in our cellar and think that some of our friends thought me a bit crazy.
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"I have always been interested in the nature of things, and especially in the nature of life."
"Well David, I have a lot of ideas and throw away the bad ones."
"The pursuit of knowledge is an endless journey."
"I am not afraid to be wrong, because I know that I can learn from my mistakes."
"I think that the vitamin C story is a very important story, and it's a story that has not yet been told in its entirety."
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A speaker recalls joining countless other boys of his generation in running a homemade chemistry lab in the basement, while noting that acquaintances found this hobby eccentric. The quote normalizes early scientific obsession while acknowledging the social gap between the experimentally curious child and adults who couldn't see past the oddness. Curiosity and perceived craziness coexist as twin markers of a scientific mind in formation.
Pauling grew up in Portland, Oregon in the early 1900s, his basement experiments directly seeding a career that made him the only person to win two unshared Nobel Prizes — Chemistry in 1954 for chemical bond theory and Peace in 1962 for nuclear test ban activism. The self-deprecating humor masks a lifelong trait: pursuing ideas others dismissed as eccentric, from his orbital hybridization models to his controversial vitamin C megadosing claims.
In the early 1900s, amateur home science thrived alongside the rise of Edison, industrial chemistry, and mail-order chemical kits marketed to boys. Formal science education was sparse, and self-directed experimentation was how many future scientists trained. Yet basement labs carrying volatile chemicals alarmed neighbors. The era celebrated inventive tinkering in the abstract while viewing the specific neighborhood boy with acid burns and fumes as something between prodigy and hazard.
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