Yayoi Kusama — "My art is a mirror of my soul."
My art is a mirror of my soul.
My art is a mirror of my soul.
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"I am just a tiny dot."
"I tried to have sex with every famous artist in New York. It was my performance art."
"Our earth is only one dot among a million stars."
"I would like to live forever, but I can't. So I want to leave my art for the world."
"I am a warrior of love."
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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