Claude Monet — "To see we must forget the name of the thing we are looking at."
To see we must forget the name of the thing we are looking at.
To see we must forget the name of the thing we are looking at.
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"For a month I have been unable to paint because I lack the colours. That's not important. Right now it's my wife's life in jeopardy that terrifies me. It is unbearable to see her suffer."
"I am going to send you some more canvases, but I don't know what to do with them. They are all different and I don't know which one to choose."
"I am completely absorbed in my work, and I am not thinking of anything else."
"I'm completely beside myself with rage and despair."
"I have such a fear of not being able to finish what I have undertaken."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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