Claude Monet — "The fog is so thick that you can't see the end of your nose. It's really too muc…"
The fog is so thick that you can't see the end of your nose. It's really too much! I'm completely disheartened.
The fog is so thick that you can't see the end of your nose. It's really too much! I'm completely disheartened.
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"I'm absolutely furious with myself. I'm so stupid."
"I'm never finished with my paintings; the further I get, the more I seek the impossible and the more powerless I feel."
"Étretat is becoming more and more amazing...it's superb and I rage at my inability to express it all better. You'd need to use both hands and cover hundreds of canvases."
"I'm absolutely furious. Everything is going wrong."
"I often think I am very stupid, but when I look at what others are doing, I think I am a genius."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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