Marlon Brando — "My father was a very, very funny man. He was also a very cruel man."
My father was a very, very funny man. He was also a very cruel man.
My father was a very, very funny man. He was also a very cruel man.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I hate acting. I hate the whole business."
"Mafia is the best example of capitalism we have."
"I think that the only way to learn is to make mistakes."
"I'm tired of the whole thing. I'm tired of Hollywood. I'm tired of the movies. I'm tired of my life."
"I have no idea what I'm doing. I just try to make it interesting."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Your cart is empty