Jeff Koons — "My work is about communicating a sense of self-acceptance to the viewer."
My work is about communicating a sense of self-acceptance to the viewer.
My work is about communicating a sense of self-acceptance to the viewer.
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"I'm interested in the idea of the sublime, and how it can be found in everyday objects."
"I want my work to be a source of inspiration and hope."
"I want the viewer to feel good, to feel empowered, to feel self-accepted."
"I’ve always been interested in the idea of the new, but the new is really about communication, it’s about connection. It’s about being able to communicate with people and being able to share with them…"
"I think that art is about being able to transcend cultural boundaries."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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