Michel Foucault — "The work of art is a scream."
The work of art is a scream.
The work of art is a scream.
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"My role—and that is all I claim—is to show that things are not as self-evident as one might believe."
"The discourse of truth is not always the discourse of freedom."
"The political is not a matter of choice; it is a matter of necessity."
"Madness is not a natural phenomenon, but a cultural invention."
"The question is not to know what one is, but what one is no longer."
French philosopher and historian whose Discipline and Punish (1975) and The History of Sexuality reframed power, knowledge, and institutions in modern thought. Closely associated with Jacques Derrida (deconstruction peer) and Gilles Deleuze (philosophical ally on power and difference). For an intellectual contrast, see Jürgen Habermas, German social theorist of communicative rationality — Habermas insisted on universal norms of reason — exactly the position Foucault's 'power/knowledge' framework treats as itself a power effect. The Foucault-Habermas debate is the canonical postwar argument over whether reason is universal-emancipatory or always-already complicit with power.
The standard scholarly entry points to Michel Foucault's work: Didier Eribon (French intellectual biographer) — Michel Foucault (1989); Stuart Elden (Warwick, political geographer) — Foucault's Last Decade (2016); Gary Gutting (Notre Dame, philosophy) — Foucault: A Very Short Introduction (2005). These are the works graduate seminars cite when teaching Michel Foucault.
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