Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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"The soul is an entity that exists in a state of eternal flux."
"From my rotting body, flowers shall grow, and I am in them, and that is eternity."
"My will exceeds my talents."
"Some colors reconcile themselves to one another, others just clash."
"To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does …"
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Discussing his approach to art, emphasizing emotional perception over objective realism.
Date: Late 19th - Early 20th Century
Art & CreativityFound in 1 providers: gemini
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