Claude Monet — "England did not care for our paintings."
England did not care for our paintings.
England did not care for our paintings.
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"I'm having a very bad time just now; everything is going wrong, and I'm very much afraid I shall have to give it all up."
"It took me a while to understand my water lilies… I grew them without thinking about painting them… A landscape does not pervade your senses in one day… Then suddenly I had a revelation and clearly sa…"
"My passion has been to stay in contact with nature, and to be concerned with nothing but the truth."
"I am a man who can only paint, and I have never been able to do anything else."
"We are so lucky to be painters. We see so much beauty."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Personal observation about the reception of Impressionist art in England
Date: Late 1800s
Art & CreativityFound in 1 providers: gemini
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