Stanley Kubrick — "Heroic violence in the Hollywood sense is a great deal like the motivational res…"
Heroic violence in the Hollywood sense is a great deal like the motivational researchers' problem in selling candy. The problem with candy is not to convince people that it's good…but to free them from the guilt of eating it. We have seen so many times that the body of a film serves merely as an excuse for motivating a final blood-crazed slaughter by the heroes of his enemies, and at the same time to relieve the audience's guilt of enjoying this mayhem.
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American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema.
Closely associated with
Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)).
For an intellectual contrast, see
Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
