Claude Monet — "I can only draw what I see."
I can only draw what I see.
I can only draw what I see.
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"I'm having a very bad day. I feel like crying."
"These landscapes of water and reflection have become an obsession for me. It is beyond my strength as an old man, and yet I want to render what I feel."
"I'm in a foul mood, furious at myself. It's going very badly, I'm not pleased with anything I do, and I destroy as fast as I paint."
"You do not mention the red poppies, which are the important ones as I already have irises, chrysanthemums, peonies and morning glories."
"I'm so frustrated. I want to smash everything."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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