I didn't foresee what you felt—what more hideous gape of bad mouth came first—to you—and were you prepared? To go where? In that Dark—that—in that God? a radiance? A Lord in the Void? Like an eye in the black cloud in a dream? Adonoi at last, with you? Beyond my remembrance! Incapable to guess!
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"The world is a stage, and we are all actors in it."
"The revolution is a spiritual one, and it's happening inside each of us."
"America after all it is you and I who are perfect not the next world."
"Crazy in Moloch! Cocksucker in Moloch! Lacklove and manless in Moloch!"
"Your machinery is too much for me. You made me want to be a saint."
American Beat poet whose Howl (1956) faced an obscenity trial and became a counterculture manifesto. Closely associated with Jack Kerouac (Beat novelist, On the Road) and William S. Burroughs (fellow Beat, Naked Lunch). For an intellectual contrast, see T.S. Eliot, high-modernist poet of The Waste Land — Ginsberg's open-line confessional Beat verse was a deliberate rejection of Eliot's allusive academic formalism — the two halves of mid-century American poetry.
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