I don't believe in God, but I believe in something bigger than ourselves. Call it the universe, call it nature, call it whatever you want, but there's something out there that's beyond our comprehension.
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"I don't like to talk about my films. I like to let them speak for themselves."
"The world is a stage, and all the men and women merely players."
"You can't make a film without being a bit of a dictator. You have to be able to say, 'This is what I want,' and everyone else has to follow."
"I don't believe in happy endings. I believe in realistic endings, and sometimes realism is not happy."
"The greatest enemy of knowledge is not ignorance, it is the illusion of knowledge."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
Unpublished interview, quoted in 'Stanley Kubrick: A Biography' by John Baxter
Date: 1970s
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