Marlon Brando — "I don't think America is the greatest country in the world anymore."
I don't think America is the greatest country in the world anymore.
I don't think America is the greatest country in the world anymore.
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"I don't think I'm a rebel. I think I'm a realist."
"The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money."
"Hollywood is ruled by fear and love of money. But it's not love that makes the world go 'round—it's money."
"I have no idea what I'm doing. I just try to make it interesting."
"I watched a snail crawl along the edge of a straight razor. That's my dream. That's my nightmare. Crawling, slithering, along the edge of a straight razor and surviving."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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