Edvard Munch — "I felt as if there were invisible threads connecting us – I felt the invisible s…"
I felt as if there were invisible threads connecting us – I felt the invisible strands of her hair still winding around me – and thus as she disappeared completely beyond the sea – I still felt it, felt the pain where my heart was bleeding – because the threads could not be severed.
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Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread.
Closely associated with
James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir).
For an intellectual contrast, see
Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Details
A dramatic and symbolic description of an unbreakable emotional bond and the pain of separation.