I have absolutely no hypocrisy or contradiction whatsoever to say that you know I abhor violence in real life and I can love it in genre. and I can love it in stories and I can love it in uh novels.
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"There are two kinds of violence. First, there's cartoon violence like Lethal Weapon. There's nothing wrong with that. I'm not ragging on that. But my kind of violence is tougher, rougher, more disturb…"
"I'm a big fan of writing dialogue. It's my favorite part of filmmaking."
"I think your questions are reductive and I'm not answering them."
"I don't believe in good taste. I believe in my taste."
"I'm a filmmaker. I make movies. That's what I do."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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