Marlon Brando — "I like to disappear. I like to be anonymous."
I like to disappear. I like to be anonymous.
I like to disappear. I like to be anonymous.
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"I'm not a very nice person. I'm not a very good person."
"I don't like to be categorized. I think it's limiting."
"I've always been a loner."
"I think that the only way to grow is to challenge yourself."
"I can still taste that first beer I bought with my own paycheck."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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