Edvard Munch — "I paint the states of the soul."
I paint the states of the soul.
I paint the states of the soul.
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"My afflictions belong to me and my art - they have become one with me. Without illness and anxiety, I would have been a rudderless ship."
"Man is nothing but a beast, a highly developed animal."
"Just as Leonardo da Vinci studied human anatomy and dissected corpses, so I try to dissect souls."
"I think I am suited only to paint pictures so I know that I must choose between love—and my work."
"I was stretched to the limit—nature was screaming in my blood… After that I gave up hope ever of being able to love again."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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