Claude Monet — "I perhaps owe having become a painter to flowers."
I perhaps owe having become a painter to flowers.
I perhaps owe having become a painter to flowers.
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"I am in despair. I am working like a madman, but I am not making any progress."
"Everything changes, even stone."
"I don't think I'm made for any earthly kind of pleasure."
"I'm completely exhausted. I can't paint another stroke."
"Ah, gentlemen, I do not receive guests when I'm working, indeed. When I work, if I am interrupted, I lose all inspiration; I am lost. You understand, I'm chasing a band of colour."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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