Edvard Munch — "I see ghosts in the daylight."
I see ghosts in the daylight.
I see ghosts in the daylight.
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"To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does …"
"I paint memories, not things."
"My fear of life is necessary to me, as is my illness. They are indistinguishable from me, and their destruction would destroy my art."
"I think I am suited only to paint pictures so I know that I must choose between love—and my work."
"Just as Leonardo da Vinci studied human anatomy and dissected corpses, so I try to dissect souls."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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