I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages.
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"I have a big thing about killing animals in movies. That's a bridge I can't cross."
"I don't think I'm a misogynist. I just think I like certain movies."
"I don't think about the legacy of my films. I just think about making the next one."
"I don't do drugs. I don't drink. I don't smoke. I just make movies."
"I don't care if people think my movies are too violent or too this or too that."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Widely attributed quote about his influences and originality.
Date: Approximate, consistent with early career statements
PhilosophicalFound in 1 providers: gemini
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