Marlon Brando — "I think that the most important thing in life is to be passionate."
I think that the most important thing in life is to be passionate.
I think that the most important thing in life is to be passionate.
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"I'm tired of the whole thing. I'm tired of Hollywood. I'm tired of the movies. I'm tired of my life."
"You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends."
"I don't think acting is a very noble profession. It's just a way to make a living."
"Hey, you wanna hear my philosophy of life? Do it to him before he does it to you."
"We couldn't survive a second if we weren't able to act. Acting is a survival mechanism, and it's a social lubricant. And we act to save our lives, actually, every day. People lie constantly every day …"
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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