I think that's thy poison of poetry and I think that's the poison of political activity. As soon as you've got an obligation, you're a prisoner of an obligation, you're no longer actually reacting openly to what you see in front of you as reality.
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"I'm a brother, but I'm not a rival."
"I want to be a saint, a madman, a criminal, a prophet, a god, a monster, a genius, an ordinary man, a holy man, a sexual maniac, a mystic, a poet, a lover, a father, a son, a brother, a friend, a neig…"
"I'm a spirit, but I'm not a phantom."
"We are in a time of great change, and we are all part of it. We are all witnesses to it. We are all participants in it."
"Why don't you put a stop to it? 'I try, he said—That's all he could do, he looked tired. He's a bachelor so long, and he likes lentil soup."
American Beat poet whose Howl (1956) faced an obscenity trial and became a counterculture manifesto. Closely associated with Jack Kerouac (Beat novelist, On the Road) and William S. Burroughs (fellow Beat, Naked Lunch). For an intellectual contrast, see T.S. Eliot, high-modernist poet of The Waste Land — Ginsberg's open-line confessional Beat verse was a deliberate rejection of Eliot's allusive academic formalism — the two halves of mid-century American poetry.
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