Stanley Kubrick — "I think the best plots are the ones that are not too obvious, that are sort of h…"
I think the best plots are the ones that are not too obvious, that are sort of hidden in the subtext, so that you have to think about them a bit.
I think the best plots are the ones that are not too obvious, that are sort of hidden in the subtext, so that you have to think about them a bit.
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"The thing about movies is that they're a reflection of life, but they're also a way of escaping from it."
"The best education is to travel."
"The future belongs to those who believe in the beauty of their dreams."
"The artist is a man who has to create a new way of looking at the world."
"I'm just an old man and I smell bad, remember?"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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