Claude Monet — "I want the inexpressible. I want to paint the air in which the bridge, the house…"
I want the inexpressible. I want to paint the air in which the bridge, the house, the boat are situated, the beauty of the air in which they are.
I want the inexpressible. I want to paint the air in which the bridge, the house, the boat are situated, the beauty of the air in which they are.
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"I'm so frustrated. I want to smash everything."
"I am working very hard, struggling with a series of different effects, but at this time of year the sun sets so fast that I cannot keep up with it."
"I am absolutely exhausted and have not had a moment's rest. I am completely worn out."
"I'm so tired of these struggles. I just want to disappear."
"If the world really looks like that I will paint no more!"
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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