I want the unobtainable. Other artists paint a bridge, a house, a boat… I want to paint the air that surrounds the bridge, the house, the boat – the beauty of the air in which these objects are located.
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"I'm having a very bad day. I wish I could just stay in bed."
"It's a trade I learned as a youth… when I was unhappy… Perhaps flowers are the reason why I am an artist."
"Impression – I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic …"
"I'm so frustrated. I want to smash everything."
"I found my eyes fixed on the tragic countenance, mechanically trying to seek the sequence, the degradation of the colours that death had just imposed on the motionless face. Shades of blue, yellow, gr…"
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Undated, expressing his ambition to capture atmosphere and light.
Date: Undated, approximate late 19th/early 20th century
PhilosophicalFound in 1 providers: gemini
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