Yayoi Kusama — "I want to be remembered as a person who brought love and peace to the world thro…"
I want to be remembered as a person who brought love and peace to the world through art.
I want to be remembered as a person who brought love and peace to the world through art.
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"I am an artist who expresses her own feelings."
"I want to make art that will change the world."
"I want to show the world that art can change people's lives."
"My life is a dot. It is just one dot, and it is a part of the universe."
"I am a witch. I am a magician."
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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