Jeff Koons — "I want to create a dialogue between the viewer and the artwork."
I want to create a dialogue between the viewer and the artwork.
I want to create a dialogue between the viewer and the artwork.
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"I want to communicate with a mass audience. I want to communicate with everyone."
"I'm interested in the idea of the transformation, and how art can facilitate it."
"I think that art should be something that everybody can enjoy, not just a select few."
"I think that art is about being able to communicate on a deep level."
"I'm interested in the idea of the spectacle. I think that art can be a spectacle."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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