Yayoi Kusama — "I want to make art that will inspire people to dream."
I want to make art that will inspire people to dream.
I want to make art that will inspire people to dream.
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"I am a god."
"When I was a child, I saw the tablecloth start moving and eat all the food."
"I want to be a part of the universe. I want to be a dot."
"I have been obsessed with dots since I was a child. I see them everywhere, even when I close my eyes."
"The polka dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colorful, senseless and unknow…"
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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