If a guy is shot in the stomach and he's bleeding like a stuck pig, I want to see him bleeding like a stuck pig that is the That is now the situation you're dealing with all right it's not he's ow he's got a stomach ache and a little round hole right here no he's going to have like you know a pint or two a groo.
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"I'm a big fan of feet. I think feet are very sexy."
"I am a writer. That's what I do. It's a writer's job not just to write about himself but to look at the rest of humanity and explore it—other people's way of talking, the phrases they use. And my head…"
"I'm a big fan of film noir. It's my favorite genre."
"I don't believe in good taste. I believe in my taste."
"I like to make movies that are like a punch to the gut."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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