Stanley Kubrick — "If it can be written, or thought, it can be filmed."
If it can be written, or thought, it can be filmed.
If it can be written, or thought, it can be filmed.
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"I think the key to life is to be able to enjoy the little things."
"The most important thing for me is to try to make films that are interesting to me, and that I would want to see."
"I've always been fascinated by the dark side of human nature. I think it's important to explore that, to understand it, even if it's uncomfortable."
"The very nature of the film medium demands that the director be a kind of dictator. You have to be."
"The greatest trick the devil ever pulled was convincing the world he didn't exist."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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