Stanley Kubrick — "If you can talk brilliantly about a problem, it can create the consoling illusio…"
If you can talk brilliantly about a problem, it can create the consoling illusion that it has been mastered.
If you can talk brilliantly about a problem, it can create the consoling illusion that it has been mastered.
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"I've got a peculiar weakness for criminals and artists. Neither takes life as it is. Any tragic story has to be in conflict with things as they are."
"Perhaps it's a good thing that we are not always able to understand the things we create."
"The greatest danger in life is not to take the adventure."
"If you really want to understand a film, you have to watch it at least three times. The first time, you watch the story. The second time, you watch the characters. The third time, you watch the subtex…"
"What is it that makes a film good? It's the ability to surprise you, to make you think, to make you feel something you haven't felt before."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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