Quentin Tarantino — "I'm a big fan of kung fu movies. I love them."
I'm a big fan of kung fu movies. I love them.
I'm a big fan of kung fu movies. I love them.
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"I'm a big fan of movies that are morally ambiguous."
"I'm a big fan of grindhouse movies. They're great."
"I mean, I'm a big movie geek. I just like movies, and I just like going to the movies. I also like watching movies at home. But I like going to the movies. It's like going to church. It's like going t…"
"Most of it should be subconscious, if the work is coming from a special place. If I'm thinking and maneuvering that pen around, then that's me doing it. I really should let the characters take it. But…"
"Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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