Quentin Tarantino — "I'm a big fan of revenge. I think it's a great motivation."
I'm a big fan of revenge. I think it's a great motivation.
I'm a big fan of revenge. I think it's a great motivation.
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"I'm a filmmaker. I make movies. That's what I do."
"I'm a big believer in the fact that if you're going to write something, it better be good."
"I'm not trying to make a statement with my films. I'm just trying to entertain people."
"I think your questions are reductive and I'm not answering them."
"I don't think I'm a misogynist. I just think I like certain movies."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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